My studio practice
Welcome to my studio in Fern Tree, in the foothills of kunanyi/Mt Wellington.
My current practice consists mostly of printmaking and works on paper. I explore Tasmania's wild alpine landscapes through relief printing and hand paint all my linocuts with watercolour, creating hybrids that straddle the disciplines of both painting and printmaking. I love the push and pull between the strong, stark linocut and the subtleties of watercolour. I enjoy the way the oil-based ink and water-based paint both repel each other, and work together to form an image. It seems to be resonant with the landscape I am portraying and it’s a satisfying process that keeps me curious to explore its possibilities.
My work often begins with photographs. Because I slot in my art practice between caring responsibilities for my youngest child with disability, I find that I use what ever is at hand to allow creativity to flow and my smart phone is always at hand. I use photographs as a form of note taking when I’m out and about. Later, I play with the photos to create compositions, shapes, colours that interest me. I’m interested in images that remind me of how I feel when I’m in a place, or images that symbolise experiences.
Alpine landscapes have captured my attention since moving to live on the foothills of kunanyi/Mt Wellington. The wonder of an alpine environment so accessible to a capital city, like the one at the summit of kunanyi, is one of the things that makes Hobart such a special place to live. I am fascinated by the harshness of the place - so wild and untamed; an unsafe environment where we would struggle to survive and yet so close in proximity to our built environment. I find symbolism within the landscape that speaks to my own life and experience. Visually too, it seems to endlessly fascinate me with its colour, texture and quality of light. Most make a pilgrimage to the top of the mountain for the view of the land stretched out below. It is breathtaking! But I also love the landscape of the summit itself; treeless and patch-worked by the boulders and plants that make their home in that extreme environment.
Jerry Saltz
American Art Critic
“A camera is one of the great drawing tools. Take lots of pictures of anything and everything that interests you. These things are trying to tell you something. The pictures become notes, sketches, touchstones, references. In drawing, ABC means Always Be Clicking”
Printmaking is a process of many stages. I can have lots of different pieces on the go at once at different parts of the process. There is always something I can pick up and do when I have some time. Some ideas are being transferred or drawn onto lino. Some are in the process of being carved. After carving, I print with oil based relief printing ink, mostly onto Stonehenge paper. Once dry, I work on colouring a new print until I am happy with the results. Prints in the edition are painted as they are ordered so I keep my colour trials and use them and photographs for reference. In this way, my work straddles both printmaking and painting. I produce multiples, but each is unique.
Printmakers tend to be precious about their editions, keeping paper neat and pristine. I’ve recently begun cutting and tearing up my linoprints which has rebellious, subversive feeling that I’ve enjoyed. I’ve found these destructive forces to be invigorating and creative, and a new series of collages has emerged. Cutting along ‘found’ lines in the ripped elements and re-fitting pieces of separate prints to create entirely new imagined landscapes is a process akin to drawing. Once these collages have come together, I then paint the resulting composition.
I love finding ways that the ripped pieces connect, as if the landscape itself is dictating the journey the lines travel. These connections have had me thinking about my own connections with both the landscape and the people around me. The resulting collages can be seen as autobiographical, mapping paths both literal and allegorical, re-fitting parts of my life and making my own new connections.
“…it’s as if grace is making her own new place to be, or a map of the place she finds herself in, made of the fragments and the moments and the shape of her life, literal and allergorical.”
Andrew Harper
“A complex life has no manual, so you must write your own, find your own way, sing your own song, choose your own adventure: because it has chosen you.”
Andrew Harper
For more thoughts about my collage work, you can read some words by the excellent Andrew Harper in my ‘About my work’ section